- The term Chaurapanchasika is generally used for a particular style of painting.
- It emerged in the 15th and 16th centuries.
- The dynamic brushwork and the vigorous symbolism of this idiom found widespread expression, with subtle regional variations in the 16th century.
Key Points
Mewar Style:
- Mewar school of Rajasthani paintings are concentrated on its conservative style, trying to avoid the dominance of the Mughal.
- The flatness, bright colours, and several common motifs showed marked resemblance with the Chaurapanchasika style.
Thus, Mewar style of painting resembles the Chaurapanchsika style.
Additional Information
Kishangarh Style:
- Kishangarh paintings is basically a fusion of Mughal and regional style.
- The theme of this style consisted of the depiction of the love between Krishna and Radha.
- Kishangarh Style of Painting is best known for its Bani Thani paintings.
- Bani Thani refers to the miniature painting which portrays a woman who is elegant and graceful.
Jodhpur Style:
- Jodhpur style inherited the art tradition of prior Marwar, which Pali, its sub-centre, revived in the early 17th century in its Ragamala paintings.
- It excelled in the depiction of Baramasa, Ramayana, votive images of gods and the scenes of harem life.
Bikaner Painting:
- Influenced by the Mughal style.
- The theme of the court scene and religion.
- Mughal artists were given patronage by the Bikaner court.
- Some elements of Deccan style.
- Example - Painted scenes from the Ragmala, Bhagavata Purana, and Rasa Lila.